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Oil Painting 油彩
不思議世界に住む少女・不思議世界を旅する少女
存在
Existence

S0-014-BlW
油彩 アクリル キャンバス S0 2025年

S0-012-WR
油彩 アクリル キャンバス S0 2025年

S0-009-GoR
油彩 アクリル キャンバス S0 2025年
存在 2
Existence 2

スフィンクス
油彩 キャンバス S50 2017

瞳の海
油彩 キャンバス S30 2018

Pink Sphinx
油彩 キャンバス F15 2015
個人蔵
個人蔵
旅する生活
Travering Life

風は歌う
油彩 アクリル 雲母 砂 キャンバス S3 2024

空は歌う
油彩 アクリル 雲母 砂 キャンバス S3 2024

祈り
油彩 アクリル キャンバス F0 2024
旅をする森
Travering Woods

光の海へ
アクリル キャンバス F6 2024

終わらざりし物語
アクリル 雲母 砂 キャンバス SSM 2024

風の森
アクリル 雲母 砂 キャンバス SM 2024
幻想建築
Surreal Architecture

都市の記憶
油彩 アクリル キャンバス F0 2024

記憶の結晶
油彩 アクリル キャンバス F0 2024

水柱
油彩 アクリル キャンバス F0 2024
世界
World

生と死
油彩 アクリル モデリングペースト キャンバス 木製パネル P40変形 2016

宇宙華
油彩 キャンバス P40変形 2019

動け!
油彩 キャンバス P40変形 2018
コレクション
旅の終わり=始まり
Collection
The end of the journey =
The beginning of the next
Oil Painting 油彩
日本伝統絵画×少女
浮世絵(版画)は、江戸時代に木版印刷技術を用いて大量生産され、庶民へも芸術を提供しました。日本の色彩、構図、デザインなどの面でも多くの革新的な要素を導入しました。
そして浮世絵は日本だけでなく、西洋の美術や文化に大きな影響を与えました。特にヨーロッパの印象派やポスト印象派の画家たちは、浮世絵からインスパイアを受け、その美術表現に取り入れました。
浮世絵は現代日本のマンガやアニメにも影響を与え、漠然と私たちの身近にあると言えるでしょう。その浮世絵の中に、少女を入れました。ご存じの浮世絵はありませんか?
日本伝統の構図やアウトラインも生かしつつ、写実的表現や現代絵具の金属色を加え、オリジナルで新鮮な表現を追究しました。

The Mask: Homage to Sharaku
53.0x33.3cm Oil and alkyd on canvas

The Mask: Homage to SHaraku
27.3x22.0cm Oil and alkyd on canvas

The Mask: Homage to Sharaku
27.3x22.0cm, Oil and alkyd on canvas

“Thunder God” Homage to "Wind God and Thunder God" by Tawaraya Sotatsu, Ogata Korin and Sakai Hoitsu
Acrylic on canvas 22.0x27.3cm 2023 Private Collection
Thunder God holds a drum that causes thunder.
Wind God and Thunder God was painted by Tawaraya Sotatsu in the early 17th century.
The theme is so interesting that famous painters such as Ogata Korin, Sakai Hoitsu, and Suzuki Kiichi copied it and arranged it in their own ways.
Japanese View of Nature
We Japanese feel that life resides in things and nature.
If it is so big or strong that we cannot move or resist it, we call it "God" with awe and respect.
For example, it can be nature such as mountains and rivers, or natural phenomena such as wind and thunder.
Thunder God holds a drum that causes thunder.
Wind God and Thunder God was painted by Tawaraya Sotatsu in the early 17th century.
The theme is so interesting that famous painters such as Ogata Korin, Sakai Hoitsu, and Suzuki Kiichi copied it and arranged it in their own ways.
Japanese View of Nature
We Japanese feel that life resides in things and nature.
If it is so big or strong that we cannot move or resist it, we call it "God" with awe and respect.
For example, it can be nature such as mountains and rivers, or natural phenomena such as wind and thunder.

”Wind God” Homage to "Wind God and Thunder God" by Tawaraya Soutatsu, Ogata Korin and Sakai Houitsu
Acrylic on canvas 22.0x27.3cm 2023 Private Collection
Wind god is holding a bag that blows the wind.
Wind God and Thunder God was painted by Tawaraya Sotatsu in the early 17th century.
The theme is so interesting that famous painters such as Ogata Korin, Sakai Hoitsu, and Suzuki Kiichi copied it and arranged it in their own ways.
Japanese View of Nature
We Japanese feel that life resides in things and nature.
If it is so big or strong that we cannot move or resist it, we call it "God" with awe and respect.
For example, it can be nature such as mountains and rivers, or natural phenomena such as wind and thunder.
Wind god is holding a bag that blows the wind.
Wind God and Thunder God was painted by Tawaraya Sotatsu in the early 17th century.
The theme is so interesting that famous painters such as Ogata Korin, Sakai Hoitsu, and Suzuki Kiichi copied it and arranged it in their own ways.
Japanese View of Nature
We Japanese feel that life resides in things and nature.
If it is so big or strong that we cannot move or resist it, we call it "God" with awe and respect.
For example, it can be nature such as mountains and rivers, or natural phenomena such as wind and thunder.

"The Birth of Venus” Homage to Katsushika Hokusai's "The Great Wave off Kanagawa (Kanagawa oki nami ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)"
Oil, acrylic, alkyd resin paint, gesso, and aluminum foil on canvas
318x410mm, 2023
Katsushika Hokusai, "The Great Wave off Kanagawa (Kanagawa oki nami ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)"
This piece is known worldwide as a masterpiece of ukiyo-e, it occupies a very important place in the history of art in the world and in Japan.
A tense moment at sea when a huge wave engulfs ships and people. The composition emphasizes the huge waves and their power, as well as the smallness and vulnerability of the people in the landscape, simultaneously expressing the power of nature and the helplessness of human beings.
Fuji is depicted as a silent presence in the midst of the scene, and its presence stands out despite being surrounded by the raging sea and clouds.
"The Birth of Venus"
【Concept】
The concept of this work is that the entire world is celebrating the birth of Venus, the goddess of love and beauty.
【A girl = Venus = Mt. Fuji】
The girl is superimposed on Princess Konohana-sakuya-hime, the goddess of Mount Fuji, and her hair is styled in the Japanese style. Fuji silhouetted by her flowing hair.
The iris of the girl's eyes is also made of gold, so her eyes sparkle from different angles.
Sandro Botticelli is probably best known for The Birth of Venus. I used François Boucher's "The Birth of Venus" as a reference for my Venus pose. Alexandre Cabanel's "The Birth of Venus" also came to mind, with its common theme of lying directly on the waves.
Despite these influences, I did not make the Venus in this work a carnal pose or figure, but rather a spiritual being with a core.
【Waves】
The breaking wave head that Hokusai painted is said to be the same shape as that captured by a modern camera. I chose it as a flower to celebrate the birth of Venus. The touch of the brush and painting knife will be felt dynamically.
The water droplets are represented by aluminum foil. Unlike silver foil, aluminum foil does not tarnish, so it continues to sparkle and shine.
The shape of the waves follows Hokusai's style, while the translucent blue of the oil is applied over the waves to create a rich blue that can only be seen in the original painting.
【Sky and Clouds】
The sky is dark and the clouds are heavy, as Hokusai's work is a scene from a storm. However, since this is a happy day, the sky is a soft sky blue and the clouds are gold. Depending on the angle, light is reflected. Each time you look at it, you will see a different color.
318x410mm, 2023
Katsushika Hokusai, "The Great Wave off Kanagawa (Kanagawa oki nami ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)"
This piece is known worldwide as a masterpiece of ukiyo-e, it occupies a very important place in the history of art in the world and in Japan.
A tense moment at sea when a huge wave engulfs ships and people. The composition emphasizes the huge waves and their power, as well as the smallness and vulnerability of the people in the landscape, simultaneously expressing the power of nature and the helplessness of human beings.
Fuji is depicted as a silent presence in the midst of the scene, and its presence stands out despite being surrounded by the raging sea and clouds.
"The Birth of Venus"
【Concept】
The concept of this work is that the entire world is celebrating the birth of Venus, the goddess of love and beauty.
【A girl = Venus = Mt. Fuji】
The girl is superimposed on Princess Konohana-sakuya-hime, the goddess of Mount Fuji, and her hair is styled in the Japanese style. Fuji silhouetted by her flowing hair.
The iris of the girl's eyes is also made of gold, so her eyes sparkle from different angles.
Sandro Botticelli is probably best known for The Birth of Venus. I used François Boucher's "The Birth of Venus" as a reference for my Venus pose. Alexandre Cabanel's "The Birth of Venus" also came to mind, with its common theme of lying directly on the waves.
Despite these influences, I did not make the Venus in this work a carnal pose or figure, but rather a spiritual being with a core.
【Waves】
The breaking wave head that Hokusai painted is said to be the same shape as that captured by a modern camera. I chose it as a flower to celebrate the birth of Venus. The touch of the brush and painting knife will be felt dynamically.
The water droplets are represented by aluminum foil. Unlike silver foil, aluminum foil does not tarnish, so it continues to sparkle and shine.
The shape of the waves follows Hokusai's style, while the translucent blue of the oil is applied over the waves to create a rich blue that can only be seen in the original painting.
【Sky and Clouds】
The sky is dark and the clouds are heavy, as Hokusai's work is a scene from a storm. However, since this is a happy day, the sky is a soft sky blue and the clouds are gold. Depending on the angle, light is reflected. Each time you look at it, you will see a different color.

Hagoromo, Heavenly maiden with the Flying Robe: Homage to "Red Fuji" by Hokusai
31.8x41.0cm Oil and etc. on canvas

“Love is Like Waves” Homage to Katsushika Hokusai's "The Dream of the Fisherman's Wife"
Oil, acrylic and ink on canvas 22.0x27.3cm 2021 Private Collection
Katsushika Hokusai "The Dream of the Fisherman's Wife"
This may be the best known "Shunga" in the world.
It is a shocking scene in which two octopuses and fisherman's wife are entangled. It is an illustration for a sensual novel called "Kinoe no komatsu," and if you read the text in the background properly, it is mostly graphic onomatopoeia.
“Love is Like Waves“
【Concept】
The expression of eroticism with dignity. The concept is to express a dignified eroticism, and to make the most of Japanese abstraction.
【The girl】
By expressing the girl, fisherman's wife, three-dimensional, I created more eroticism and at the same time kept her beautiful and dignified. The hairs are a flowing water pattern, incorporating Japanese stylistic beauty.
【Octopus】
In addition to Hokusai's two octopuses, a third octopus appears as if it is splitting and multiplying on the head of a large octopus, representing the excitement of the octopus. The fourth and fifth octopi ...... may go on endlessly.
【Background】
Hokusai has the fisherman's wife lying on the rocks, which is poignant.
I abstracted the rocks with ink to make them look like waves. This implies, as the title suggests, that joy comes in waves over and over again.
The background is a gold color that gives no sense of three-dimensionality, and the octopus and the girl seem to be floating in the air. From here, too, you can subconsciously sense the floating sense of love.
Katsushika Hokusai "The Dream of the Fisherman's Wife"
This may be the best known "Shunga" in the world.
It is a shocking scene in which two octopuses and fisherman's wife are entangled. It is an illustration for a sensual novel called "Kinoe no komatsu," and if you read the text in the background properly, it is mostly graphic onomatopoeia.
“Love is Like Waves“
【Concept】
The expression of eroticism with dignity. The concept is to express a dignified eroticism, and to make the most of Japanese abstraction.
【The girl】
By expressing the girl, fisherman's wife, three-dimensional, I created more eroticism and at the same time kept her beautiful and dignified. The hairs are a flowing water pattern, incorporating Japanese stylistic beauty.
【Octopus】
In addition to Hokusai's two octopuses, a third octopus appears as if it is splitting and multiplying on the head of a large octopus, representing the excitement of the octopus. The fourth and fifth octopi ...... may go on endlessly.
【Background】
Hokusai has the fisherman's wife lying on the rocks, which is poignant.
I abstracted the rocks with ink to make them look like waves. This implies, as the title suggests, that joy comes in waves over and over again.
The background is a gold color that gives no sense of three-dimensionality, and the octopus and the girl seem to be floating in the air. From here, too, you can subconsciously sense the floating sense of love.

"Pink Love" Homage to "Utamakura" by Kitagawa Utamaro
Oil, acrylic and modeling paste on canvas
15.8x22.7cm 2021
"Utamakura" by Kitagawa Utamaro
Utamaro Kitagawa is known for his paintings of beautiful women, but he also painted shunga.
Shunga is about enjoying the situation of the scene - the violation of taboos, the gap in status, and so on. For example, in this series of 12 paintings called "Utamakura," we can see a combination of an actor and a patroness, a shop boy and a store owner, a bride and a man who is not the groom ......, and so on. A deeper understanding would be possible if we knew the props and locations depicted together.
In this ninth figure, the taboo is depicted as an ugly middle-aged man forcing ...... a maiden he doesn't like.
【Concept】
The impact of the original painting is preserved while creating cuteness.
【A pink flower bear】
The swollen, hairy man in Utamaro's Shunga was made into a pink bear. The flowers on his body were mischievous and made him look "out of place. I think the eyes are scary because they have no sparkle and are like holes in them.
【Girl with rabbit-eared hair】
The woman in Utamaro's original painting is resisting. I also supported the girl and made her resist. In nature, even weak rabbits try to bite and carry themselves.
【Background】
The background is silver color. I added a matiere around both corners of the image so that it does not interfere with the background. The silver color is like smoked silver and has a calm antique look.
15.8x22.7cm 2021
"Utamakura" by Kitagawa Utamaro
Utamaro Kitagawa is known for his paintings of beautiful women, but he also painted shunga.
Shunga is about enjoying the situation of the scene - the violation of taboos, the gap in status, and so on. For example, in this series of 12 paintings called "Utamakura," we can see a combination of an actor and a patroness, a shop boy and a store owner, a bride and a man who is not the groom ......, and so on. A deeper understanding would be possible if we knew the props and locations depicted together.
In this ninth figure, the taboo is depicted as an ugly middle-aged man forcing ...... a maiden he doesn't like.
【Concept】
The impact of the original painting is preserved while creating cuteness.
【A pink flower bear】
The swollen, hairy man in Utamaro's Shunga was made into a pink bear. The flowers on his body were mischievous and made him look "out of place. I think the eyes are scary because they have no sparkle and are like holes in them.
【Girl with rabbit-eared hair】
The woman in Utamaro's original painting is resisting. I also supported the girl and made her resist. In nature, even weak rabbits try to bite and carry themselves.
【Background】
The background is silver color. I added a matiere around both corners of the image so that it does not interfere with the background. The silver color is like smoked silver and has a calm antique look.

Journeying: Homage to " The Chinese Lions" by Kono Eitoku
F3 油彩 アクリル キャンバス 2024年

”Music of Heaven” Homage to "Nakamura Karokur" by Utagawa Toyokuni
Oil and alkyd on canvas 27.3x22.0cm 2023
"Nakamura Karoku" by Utagawa Toyokuni
The original painting appears to be a scene from a Kabuki play, and is inscribed "Nakamura Utaroku. Benzaiten is riding a dragon and playing the zither amid boiling black clouds. The image of Benzaiten is that of a biwa (lute), but I thought it unusual that he is playing the koto.
The name "Toyokuni" is not clear as to what generation Toyokuni was.
Benzaiten wears a luxurious Chinese-style costume with plenty of cloth.
【Concept】
A gorgeous work in which one can almost hear music.
【Benzaiten】
In the original, playing the Japanese harp, Benzaiten is facing diagonally to the side. But I made this Benzaiten almost frontal, with sharp eyes.
【Dragon】
I used the complementary colors of green and orange to express the dragon in a lively way.
【Clouds】
In the original, the clouds are expressed in the classical Japanese cloud pattern style. I followed this style, but added silver outlines to add coolness and shimmering splendor.
"Nakamura Karoku" by Utagawa Toyokuni
The original painting appears to be a scene from a Kabuki play, and is inscribed "Nakamura Utaroku. Benzaiten is riding a dragon and playing the zither amid boiling black clouds. The image of Benzaiten is that of a biwa (lute), but I thought it unusual that he is playing the koto.
The name "Toyokuni" is not clear as to what generation Toyokuni was.
Benzaiten wears a luxurious Chinese-style costume with plenty of cloth.
【Concept】
A gorgeous work in which one can almost hear music.
【Benzaiten】
In the original, playing the Japanese harp, Benzaiten is facing diagonally to the side. But I made this Benzaiten almost frontal, with sharp eyes.
【Dragon】
I used the complementary colors of green and orange to express the dragon in a lively way.
【Clouds】
In the original, the clouds are expressed in the classical Japanese cloud pattern style. I followed this style, but added silver outlines to add coolness and shimmering splendor.
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